Streaming in 2025: Who’s Really Paying Artists?

Streaming in 2025: Who’s Really Paying Artists?

Apr 22, 2025

The streaming economy continues to evolve in 2025, with new data shining a light on how different platforms reward the artists who fuel them. For independent musicians and emerging labels, understanding the nuances behind per-stream payouts and platform policies is crucial—not just for visibility, but for sustainability.

Let’s break down the latest streaming rates and artist payout policies (as of March 2025) and explore what they mean for artists trying to navigate today’s music industry.

Streaming Rates: Who Pays What?

Platform

Approx. Per-Stream Rate

Model/Policy Summary

Qobuz

$0.01873 (Highest)

Subscription-only; high-res music downloads

Tidal

$0.01284

Premium-focused; artist-first features

Apple Music

$0.0056 - $0.0078

Premium-only; consistent payouts

Amazon Music

$0.00402

Mixed tiers; subscriber emphasis

Spotify

$0.003 - $0.005

Streamshare model; 1,000-stream threshold

YouTube Music

$0.00069 - $0.002

Ad-heavy; low per-stream revenue

Tencent Music

~$0.0004 (Lowest)

Ad-supported; tipping-based earnings

Qobuz has the highest per-stream rate—nearly 4x Spotify and over 25x YouTube Music’s lower range.

Artist Payout Policies: A Closer Look

Qobuz, Tidal, and Apple Music are clearly structured with artists in mind. By avoiding free tiers and emphasizing premium subscriptions, these platforms ensure that streams translate into more meaningful payouts.

Meanwhile, Spotify’s Streamshare model—now requiring 1,000 streams for monetization—has created hurdles for indie artists, as revenue skews toward the top 1% of performers. YouTube Music and Tencent Music provide scale and exposure, but often fall short in real monetary returns unless you're pulling massive views.

Platform

Artist Impact

Qobuz

High payouts + download store = ideal for niche, high-fidelity artists

Tidal

Direct artist support + premium model

Apple Music

No free tier, consistent rates

Amazon Music

Moderate payouts, better for those already in their ecosystem

Spotify

Harder for emerging artists to monetize; favors hits

YouTube Music

Best for visibility, weak for direct earnings

Tencent Music

Viable in China; relies heavily on tipping & fan engagement

What This Means for Independent Artists & Labels

In an age where a million streams might only pay a few thousand dollars, platform choice becomes a strategic decision for indie artists and labels.

Artists focused on quality, niche genres, or loyal fanbases should look to Qobuz or Tidal to build sustainable income streams.

Labels should encourage diverse DSP strategies, balancing high-payout platforms with exposure-driven services like Spotify or YouTube Music to widen reach.

Newer artists may find YouTube and TikTok helpful for discovery—but shouldn’t rely on those platforms for revenue.

Strategic Takeaways

Prioritize platforms that prioritize you: Tidal, Qobuz, and Apple Music currently offer the best per-stream economics. Treat ad-supported platforms as marketing tools, not income sources. For long-term viability, artists need a mixed-platform presence, direct-to-fan monetization (e.g., Bandcamp, digital merch), and ownership of their data.

Industry Response

The new Spotify policy requiring 1,000 streams per track to earn anything has drawn criticism from industry insiders and artist communities alike. This LinkedIn post by Lee of rightsHUB and this Infinite Catalog newsletter by Mark offer deeper dives into the implications and actions we can all take.

Final Word from Spyll

At Spyll World, we believe that music has value—and so do the creators behind it. As an independent label and publishing house, we’re committed to helping our artists navigate this complex landscape, make informed decisions, and build careers that thrive beyond the algorithm. Stay loud, stay smart, stay independent.

© 2025 SPYLL WORLD & SPYLL PUBLISHING

© 2025 SPYLL WORLD &
SPYLL PUBLISHING